A Closer Look: Why Photography Works

To the average viewer, photography consists of still images, blandly depicting a mere moment. It is easy to gloss over the details within a photograph. This has led viewers, and for a time it led artists and critics, to dismiss photography as an art form. Moreover, in a stimulus-seeking society, what can photography offer that more abstract or traditional media do not already substantially provide?

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Review: The Science of the Soul in Colonial New England

How did New England Puritans reconcile their faith with the emergence of scientific empiricism? As Sarah Rivett, a literary scholar at Princeton, tells it, they did so with relative ease. Rivett argues that both Puritans and practitioners of the new science grappled with the limitations of humankind’s perceptive faculties. By the middle of the 17th century, the “study of the soul and the study of the worldhad emerged as parallel empirical techniques.” Animated by the essential optimism of John Calvin’s Institutes, Puritan studies of the soul and scientific studies of the world eagerly sought answers for seemingly unknowable questions. Like Charles Webster, a towering figure in the history of science and medicine, Rivett clarifies the often-murky relationship between religion and science in the early modern world. Unlike Webster, Rivett closely considers the place of women and native peoples in that history, as well as the nature of the evidence that soul scientists examined.

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Review: The Catholic Enlightenment

In The Catholic Enlightenment: The Forgotten History of a Global Movement, Ulrich Lehner challenges the longstanding academic assumption that the Enlightenment and Catholicism are fundamentally incompatible. Citing the Council of Trent’s emphasis on a theology of human freedom, Lehner posits that the men he calls “Catholic Enlighteners” were “moderates, favoring a modernization that compromised with tradition and reigning authorities.” These 18th-century Enlighteners had two aims: to use scientific and philosophic achievements to defend Catholicism in a new language, and to reconcile their faith with modern culture. Although Lehner recognizes local variations in the particulars of Enlightened Catholic belief, he suggests that they generally shared a scholastic tradition that disdained religious enthusiasm, and had little room for superstition or prejudice.

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Review: Religion and the Decline of Magic

Keith Thomas’s Religion and the Decline of Magic: Studies in Popular Beliefs in Sixteenth and Seventeenth Century England is a standard in early modern European history. This wide-ranging study examines both the tensions and the congruences between the established church’s teachings and popular belief.

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A Dickensian Curative

In the fall of 1843, Charles Dickens walked the empty streets of London late at night wrestling with the question: Are there answers to humanity’s indifference, negligence and lack of charity? Is there solace to be found in a holiday tale? From those solitary walks, sometimes ten to twenty miles at a time, the idea for a story grew and blossomed. Dickens completed A Christmas Carol in six weeks and published it on December 17, 1843. The first edition sold out in three days. A Christmas Carol had touched a nerve. It was an otherworldly remedy for a world-weary age, and an unsettling admonition to those who neglected the poor and destitute. It was his tribute to the “Spirits of Christmas,” and it served as a counterbalance and restorative measure against societal apathy and community disconnect. Dickens did not call for a government solution to poverty, a new program, or a symposium. He asked his readers to change how they interacted with their fellow voyagers, to be a kinder, more generous, and better version of themselves.

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Flannery O’Connor’s “Revelation”

Flannery O’Connor was a remarkable 20th-century American writer of startling, strange, and sometimes violent short stories and novels set in the rural South. In the last year of her too-short life, she worked between medical treatments and hospitalization, writing and correcting the last draft of “Revelation,” one of her final short stories. It remains a well-crafted masterpiece, the culmination of all she intended to say about the fallen human condition and the power of grace to pierce through the veil and open your eyes to yourself and those around you.

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